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There’s always something better.” “If you had a reservation somewhere and then a table at Per Se opened up, you’d want to go there,” Alex offers.“Guys view everything as a competition,” he elaborates with his deep, reassuring voice. ” With these dating apps, he says, “you’re always sort of prowling.
You could talk to two or three girls at a bar and pick the best one, or you can swipe a couple hundred people a day—the sample size is so much larger. Crew; senior at Parsons; junior at Pace; works in finance …
It’s a romantic, erotic drama that’s told with an unusual blend of rapture and coldness, of overwhelming yearning and clinical detachment — and, above all, the movie has images that go far beyond the recording of performances and the framing of action in order to make a melancholy and mysterious visual music.
I gradually grew more interested in Curtis, who has his own solitude to cope with.
And so he piles it on, until whole sections of the movie collapse beneath the visual crush.
If this film has a secret, it dwells in the cinematography — by Vittorio Storaro, no less, who shot “The Conformist,” “Last Tango in Paris,” and “Apocalypse Now.” He worked with Allen on a segment of “New York Stories” (1989), but Café Society marks their first full-length collaboration, and the result is ravishing to behold.
In fact, they can remember whom Alex has slept with in the past week more readily than he can.“Brittany, Morgan, Amber,” Marty says, counting on his fingers. Alex, his friends agree, is a Tinder King, a young man of such deft “text game”—“That’s the ability to actually convince someone to do something over text,” Marty explains—that he is able to entice young women into his bed on the basis of a few text exchanges, while letting them know up front he is not interested in having a relationship.“How does he ”But Marty, who prefers Hinge to Tinder (“Hinge is my thing”), is no slouch at “racking up girls.” He says he’s slept with 30 to 40 women in the last year: “I sort of play that I could be a boyfriend kind of guy,” in order to win them over, “but then they start wanting me to more …
and I just don’t.”“Dude, that’s not cool,” Alex chides in his warm way.
By the end of the movie, Refn has toyed with cannibalism, lesbian necrophilia, the egestion of an eyeball, and other minor sports, all of them filmed in lavish taste.
It’s enough to make you reflect longingly on the Agatha Christie drama that he made for British TV in 2007.
Plus, many times these men are in absolutely no hurry to commit to one woman. They have way too many options with all of the single women out there more than willing to go out with them.